In Ava DuVernay‘s latest endeavor, “Origin,” the acclaimed director delves into the intricate web of America’s past and present, challenging the very notion of what divides us. Drawing inspiration from Pulitzer Prize-winning writer Isabel Wilkerson‘s groundbreaking ideas, DuVernay crafts a narrative that spans centuries and continents, framing one of America’s most difficult conversations with a fresh perspective.
Isabel Wilkerson, portrayed by Aunjanue Ellis-Taylor, embarks on a journey to explore the origins of societal disparities, armed with the belief that the term “racism” alone cannot fully explain the profound inequities ingrained in human society. To Wilkerson, “racism as the primary language to understand everything is insufficient.” Her mission is to consider oppression beyond the boundaries of race, sparking a profound and necessary conversation.
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Rather than a direct adaptation of Wilkerson’s seminal work, “Caste,” which would require an epic documentary, DuVernay chooses to focus on the writer herself. At first glance, this might seem an uninspiring cinematic premise – the process of brainstorming, researching, and writing. However, DuVernay masterfully transforms this into a compelling narrative, proving her ability to reframe conversations.
DuVernay’s film seamlessly integrates interviews and reference materials that informed its creation, blurring the lines between fact and fiction. The camera dances over Isabel’s bookshelves, revealing the wealth of knowledge that inspires her character. The film opens with the Trayvon Martin murder, setting the stage for discussions about redlining, reparations, and the contentious symbolism of Confederate monuments.
While some may argue against Wilkerson’s perspective, the brilliance of “Origin” lies in its ability to stimulate conversations. DuVernay encourages dialogue, shifting the focus away from the often-triggering term “racism.” Wilkerson’s argument, built on the scholarship of those before her, posits that caste offers a more comprehensive framework for understanding divisions rooted in arbitrary or invented differences.
“Origin” is a whirlwind of ideas, skillfully presented by DuVernay. Aunjanue Ellis-Taylor’s performance as Wilkerson is a sight to behold as she pieces together these ideas, reminiscent of Russell Crowe in “A Beautiful Mind” or detectives deciphering clues in a David Fincher film.
What makes “Origin” essential is its approach to America’s most contentious issue. It introduces comparisons and examples while de-emphasizing the divisive term “racism.” The film will undoubtedly spark discussion, challenging preconceptions and inspiring viewers to engage in this vital conversation.
Moreover, “Origin” offers young audiences a remarkable portrayal of a fiercely intelligent Black woman challenging the status quo. Isabel’s journey is not without personal hurdles, mirroring the complexities of real life. DuVernay’s decision to include these setbacks enriches the character, making her more relatable and inspiring.
Wilkerson’s “Caste” took a bold step in connecting seemingly disparate cultures, and “Origin” serves to reinforce her case. Through historical reenactments and a contemporary journey to India, DuVernay underscores the unifying elements of caste systems. The film highlights how the American system is intertwined with others, shedding light on the interconnectedness of global issues.
In her effort to reach a broader audience, DuVernay makes creative choices that enhance the film’s accessibility. While it may not adhere to the artistic austerity of other Venice Film Festival selections, this is not a compromise. DuVernay’s aim is to spread Wilkerson’s message far and wide, encouraging empathy and a willingness to question systems that divide rather than unite.
As Isabel Wilkerson emphasizes, “Racism is not the same as caste because race does not matter in order for the system to work.” “Origin” challenges us to dismantle these systems and find common ground, ultimately sparking a profound shift in our understanding of America’s complex narrative.