Recently, the Metropolitan Opera shared its statistics for the end of the season’s performances.
The figures show a theater occupancy of 72 percent (a slight drop from the 75% seen before the Covid pandemic) and that only 64% of the maximum potential ticket revenue was actualized, considering the various discounts and complimentary tickets issued.
General manager Peter Gelb spoke with the Associated Press, revealing that the main audience consisted of ticket purchasers with an average age of 44 years, which is 85% of the total audience. The subscribers’ demographic, on the other hand, were predominantly over the age of 70.
The following list details the operas with the highest and lowest ticket sales:
The Magic Flute – 87%
Turandot – 82%
Carmen – 81%
X: The Life and Times of Malcolm X – 78%
Madama Butterfly – 75%
La Bohème – 74%
Nabucco – 72%
La Forza del Destino – 71%
Florencia en el Amazonas – 68%
Fire Shut up in My Bones – 65%
Dead Man Walking – 62%
The Hours (pictured) – 61%
El Niño – 58%
Un Ballo in Maschera – 56%
Readers are welcome to interpret these figures as they deem appropriate.
FAQ about the Metropolitan Opera’s Season Performance
What was the Metropolitan Opera’s overall occupancy rate this season?
The Metropolitan Opera played to a 72 percent capacity this season.
How does this season’s occupancy rate compare to pre-Covid figures?
There is a slight decrease from the previous 75% occupancy rate before the Covid pandemic.
What percentage of the potential ticket revenue did the Metropolitan Opera achieve?
The Metropolitan Opera achieved 64% of its potential ticket revenue.
What was the average age of single-ticket buyers at the Metropolitan Opera?
The average age of single-ticket buyers was 44 years old.
Which operas had the highest sell rates this season?
The operas with the highest sell rates were The Magic Flute (87%), Turandot (82%), and Carmen (81%).
Which opera had the lowest sell rate at the Metropolitan Opera?
The opera with the lowest sell rate was Un Ballo in Maschera (56%).