Apple TV+ is no stranger to pushing the boundaries of storytelling, often blending genres to create unique narratives. “The Changeling,” the latest series from the streaming platform, attempts to tackle the complexities of parenting, nature versus nurture, and the anxieties that come with it. While the show’s thematic ambition is commendable, its storytelling falls short, leaving viewers with a somewhat frustrating and inconsistent viewing experience.
The series, which debuts on Apple TV+, is the second in recent years to combine elements of fairy tales and horror to explore the fears and anxieties associated with parenthood. While it may not be as straightforward as “Servant,” “The Changeling” aims to delve deep into 21st-century parenting issues. Unfortunately, it often feels like it’s struggling to find its narrative footing.
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LaKeith Stanfield takes on the role of Apollo, a passionate collector of antiquarian books who finds love with Emma, played by Clark Backo. When Emma becomes pregnant, Apollo is determined to be a better father than his own absentee dad, Brian, portrayed by Jared Abrahamson. However, things take a bizarre turn when Emma begins to question the identity of their baby, leading to a series of unsettling events.
The show’s central mystery revolves around whether their baby is who they believe it to be, but it continually teases without offering substantial progression. The first four episodes are particularly repetitive, stretching a minimal amount of plot over several hours. Flashbacks to Apollo’s traumatic childhood and his parents’ tumultuous relationship attempt to introduce themes of generational trauma but feel drawn out.
As the series progresses, it does start to find its footing, with some episodes offering genuine progress and intriguing developments. Notable guest appearances, such as Steve Zissis and Jane Kaczmarek, inject much-needed humor and depth into the narrative. However, it’s the seventh episode that stands out as a bold and audacious piece of television, offering a unique one-woman showcase for Adina Porter and Alexis Louder.
Despite its varied influences, “The Changeling” struggles to maintain tonal consistency, hindering the performances, especially LaKeith Stanfield’s, who carries an overwhelming sense of fatigue throughout. While some supporting characters add color to the story, others feel out of place, making it difficult to discern the show’s overall direction.
In a genre known for colorful characters and unlikely encounters, “The Changeling” manages to create a sense of unpredictability. However, this unpredictability often contributes to a disjointed narrative, leaving viewers curious about the show’s next point rather than fully invested in its characters or their stories.
In the end, “The Changeling” is a mixed bag, offering ambitious ideas but failing to bring them together effectively. While it may leave some viewers unsettled due to its refusal to conform to traditional narrative expectations, for many, it may simply be a perplexing and inconsistent journey. Whether it’s worth exploring further remains a matter of personal preference.