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Hayao Miyazaki’s creative endeavors prior to the establishment of Studio Ghibli, like “Sherlock Hound” and “Nadia: The Secret of Blue Water,” serve as glimpses into his burgeoning talent as a master storyteller and animator. His involvement with “Sherlock Hound” was limited to the first six episodes, but these installments showcased his penchant for visually captivating and engaging narratives—a theme consistent in his later works. While “Sherlock Hound” faced legal difficulties from the Sir Arthur Conan Doyle estate, the show’s aesthetic clearly influenced Miyazaki’s subsequent productions, particularly his incorporation of Jules Verne-style steampunk elements.
On the other hand, “Nadia: The Secret of Blue Water” was originally Miyazaki’s brainchild, heavily inspired by the works of Verne. Although the show underwent significant changes and was ultimately directed by Hideaki Anno, Miyazaki’s influence is evident in elements such as the plucky heroine and a strong narrative connection to nature. Despite Miyazaki stepping away from the series, the creative DNA of his earlier concept can be seen in productions ranging from “Future Boy Conan” to “Castle in the Sky.” Even though “Nadia” has Anno’s signature feel, it also contributed to the evolving style and themes that would become signature elements of Miyazaki’s career.
Frequently Asked Questions about Hayao Miyazaki’s Early Works
Q: What was Hayao Miyazaki’s role in “Sherlock Hound”?
A: Hayao Miyazaki directed the first six episodes of “Sherlock Hound” before the production faced legal issues with the Sir Arthur Conan Doyle estate and his subsequent departure from the project.
Q: How did “Nadia: The Secret of Blue Water” originate?
A: “Nadia: The Secret of Blue Water” originated from an initial proposal by Hayao Miyazaki based on Jules Verne’s writings, particularly from a project he wanted to make titled “Around the World in 80 Days by Sea”.
Q: Did Miyazaki complete “Nadia: The Secret of Blue Water”?
A: No, Miyazaki did not complete “Nadia: The Secret of Blue Water.” He conceptualized the series, which was later directed by Hideaki Anno, his protégé.
Q: Which elements of “Sherlock Hound” and “Nadia” are seen in Miyazaki’s later works?
A: Elements such as Jules Verne-style steampunk themes, plucky female protagonists, anthropomorphic characters, and magical creatures from “Sherlock Hound” and “Nadia” are recurrent in Miyazaki’s subsequent projects, including “Lupin the Third” and “Porco Rosso”.