Timothée Chalamet says that his new film Wonka will not be a dull history. Chalamet is putting his twist on Roald Dahl’s unbelievable treats producer in a forthcoming prequel to Charlie and the Chocolate Factory. First declared recently, Wonka is coordinated by Paul King (Paddington) and set to be delivered in March of 2023. Chalamet is encircled by sparkling cast-mates, including Keegan Michael-Key, Sally Hawkins, Rowan Atkinson, and Olivia Colman.
The photograph was deliberately shared around the same time as Chalamet’s profile on TIME Magazine. While he didn’t disclose such a large number of subtleties on Wonka, the main man affirmed if the film would be a more obscure story. Understand what Chalamet said beneath:
“It’s not mining the hazier feelings throughout everyday life. It’s a festival of being askew and of being O.K. with the stranger pieces of you that don’t exactly fit in.”
As indicated by the distribution, Chalamet has been in London cheerfully practicing for Wonka. He was recently out of the notorious recording studio, Abbey Road, where he set out certain tracks for the film. This affirms that the film will conform to past projects fixated on Willy Wonka by being a melodic. Both Willy Wonka and the Chocolate Factory (1971), featuring Gene Wilder, and Charlie and the Chocolate Factory (2005), featuring Johnny Depp, were viewed as melodic motion pictures. Dependent on Chalamet’s remarks, his Wonka might be a mix of both Wilder and Depp’s famous exhibitions.
More stunning acquainted Wonka with the world with a beguiling and somewhat cruel sparkle, while Depp wore the purple coat with to a greater degree a peaceful, excited flare. The two depictions radiated particular conduct, something Chalamet says Wonka will celebrate. Him saying the story doesn’t mirror life’s more lamentable feelings implies he likely will not be following the strides of Depp’s more obscure variation. Obviously, Chalamet is playing the chocolatier at an alternate stage in his life, so his take will naturally carry another treat to the table. However, there’s no getting away from the heartbreaking propensity Roald Dahl imbued into the first person.
