Rachel McAdams said no multiple times to a job that might have changed her profession direction playing Andy in The Devil Wears Prada. The film recounted the narrative of a new college alumni who longed to fill in as a genuine columnist yet rather scored an exceptionally valued occupation as a collaborator to Miranda Priestly, the editorial manager of Runway Magazine. Andy before long understood that her assurance to succeed had overwhelmed her own life, and she was turning out to be more similar to the lady she dreaded than she at any point envisioned.
In another oral history of the now-exemplary movie, chief David Frankel uncovered the Anne Hathaway job was offered to another entertainer. “We offered it to Rachel McAdams multiple times,” chief Frankel said to Entertainment Weekly of the Andy Sachs job, “the studio was resolved to have her, and she was resolved not to do it.”
Of the multitude of entertainers considered for Andy, Hathaway had shown the most interest in filling the role. About her constancy, she shared, “It [the job of Andy] addressed me. It caused me to feel. It was about a subject that I view appropriately yet in a brilliantly cheerful and happy manner.” Hathaway was the 10th choice for the job. The entertainer said she calmly held up until she got a call that revealed to her she was projected.
Other key entertainers who were envisioned for the job were Scarlett Johansson, Natalie Portman, Kate Hudson, and Kirsten Dunst. One year earlier, McAdams had featured in three films: Wedding Crashers, Red Eye, and The Family Stone. She would pass on The Devil Wears Prada in light of the fact that she needed to accomplish all the more serene jobs after the achievement of Mean Girls quite a while earlier.
The Devil Wears Prada would change Anne Hathaway’s movie vocation as her star power rose upon the film’s prosperity. While it is unthinkable not to be interested about how different entertainers would have played out the job, Hathaway’s agreeable depiction of a decided young lady was a success for the two fans and film executives. In the interim, McAdams went on to an exceptionally effective vocation, which means the two ladies profited with the last projecting choices.
