Few movies are as terrifying, terrible, and magnificent as Blonde, the newest picture from Andrew Dominik.
Darren Aronofsky’s Mother is the closest comparison I can make! as well as Requiem For A Dream.
Both are contentious, magnificent, and utterly infeasible to see more than once. Marilyn Monroe is the subject of the fictional biography Blonde, a reworked version of the real-life story.
Dominik raises Marilyn from the dead and grants her the worst existence imaginable.
The movie is far from an enjoyable viewing of a Hollywood superstar since it contains several scenes.
Dominik, however, also makes sure that Norma Jean always commands attention beneath her mask of Marilyn.
Ana de Armas also excels in her dual roles as the gorgeous star and the tormented individual that she genuinely was.
Blonde was able to hypnotize and impact me with ease, but others could view it as incredibly predatory.
She attempted to kill her as a kid, accuses her of her father abandoning the family, and eventually checks herself into a mental institution, forcing Norma Jean to live in an orphanage.
We then moved to her eventually getting her big break in the movies thanks to several terrible, extramarital affairs with strong guys.