Duration: 12 minutes, 40 seconds
The standout moment in the fourth-season chapter titled “Connor’s Wedding” from the series Succession is a unique take on the one-shot technique. Stemming from the episode’s core, it deviates from a conventional oner due to its venue in a plane and use of multiple recording devices. Nevertheless, this segment captures the psychological turmoil ensuing the sudden demise of patriarch Logan Roy during a business venture. Credit goes to Mark Mylod, the director, for encapsulating the sequence nearly in actual time, rendering a continuous, distressing nightmare that post-editing, augments the despair. Although oners tend to emphasize directorial and cinematographical prowess over performance, this scene is an exception. Actors Sarah Snook, Jeremy Strong, and Kieran Culkin, ensnared within the camera’s relentless scrutiny, each unravel in unique, dreadful manners, virtually inscribing their names indefinitely in award considerations. [William Hughes]
FAQs
What is a “oner” in TV and film?
A “oner” is a scene shot in one continuous take without cuts. This technique is used to create an immersive and real-time feel, challenging actors and crew to execute the scene perfectly in one go.
Why are one-shot sequences so revered in filmmaking?
One-shot sequences are highly regarded because they require skillful planning, precise execution, and immense coordination between the cast and crew. They often result in a heightened sense of authenticity and engagement for the audience.
Can a oner involve multiple cameras?
Typically, a oner is captured with a single camera to maintain continuity. However, as indicated in the example of “Succession,” variations can involve more complex setups with multiple cameras while still emulating the effect of a single continuous take.
Do oners focus more on technical skill or acting ability?
While oners are often seen as a demonstration of filmmaking prowess and technical skill, they also provide actors with an opportunity to deliver intense and uninterrupted performances, as evidenced by the cast of “Succession” in the mentioned scene.