![Behind-The-Scenes: Always Sunny’s Epic Stunt Filming Completed In Under 48 Hours 2 l intro 1716298300](https://i0.wp.com/theubj.com/uae/wp-content/uploads/2024/05/l-intro-1716298300.jpg?w=1170)
According to the veteran stunt coordinator for “It’s Always Sunny in Philadelphia,” Marc Scizak, achieving a feat in stunt work that would usually take a month of preparation was crunched into a mere couple of days on set. McElhenney’s goal was simple yet challenging: to look “badass” in Mac’s action-packed scene. And as Scizak remarked to The New York Times, the task turned out to be both “very large” and “really nice” upon completion.
Revealed in a behind-the-scenes glimpse, Scizak praised McElhenney’s aptitude for learning the complex choreography quickly. “He did an amazing job,” Scizak stated, acknowledging how McElhenney performed 90% of the fight himself, a testament to his natural talent as an action actor.
Scizak further adds, “The results were hard to argue with. For a TV show, it’s an epic fight.”
The choreography’s execution was cinematic, opting for close-ups and angles typically reserved for high-budget movies. Unfortunately for Mac’s character, despite the impressively shot sequence, his “badassery” might remain underappreciated by the fictional gang, but McElhenney clearly won the admiration of the real crew and the audience.
FAQ about ‘Always Sunny’ Epic Stunt Filming
- How long would the stunts normally take to film for a high-budget action movie?
- For a typical high-budget action movie, the stunts like the one done by McElhenney would have taken about a month to prepare for.
- What did Marc Scizak have to say about McElhenney’s performance?
- Scizak said McElhenney did an amazing job, picking up the complex stunt choreography “ridiculously fast.” He performed 90% of the fight himself and had natural talent comparable to experienced action actors.
- Did the shoot meet cinematic standards according to the stunt coordinator?
- Yes, the shoot was considered “an epic fight” for television and embraced a cinematic style with close-ups, reactions, and a high number of set-ups that would not typically be used in TV productions.
Conclusion
The ambitious and successful stunt sequence in “It’s Always Sunny in Philadelphia,” accomplished in less than two days, is a shining example of the creativity and perseverance present in television production. Rob McElhenney, in collaboration with Marc Scizak and the rest of the crew, managed to bring a cinematic level of action to the small screen, proving that even with time constraints, a dedication to the craft can yield fantastic results. This behind-the-scenes achievement not only solidifies the show’s reputation for pushing boundaries but also showcases the hidden efforts that go into making the on-screen antics of our favorite Paddy’s Pub owners appear effortlessly entertaining.