The first Avatar, which came out over 10 years prior, used movement catch shooting techniques that were considered groundbreaking at that point. Despite many individuals’ skepticism of the impressive financial plan and new innovation, Avatar broke numerous film industry records, empowering Cameron to proceed with the franchise and the pattern of changing the ways where a film can be made. While this filmmaking approach is incredible news for the Avatar sequel, it very well may be an issue for another large underwater-based film in Aquaman 2.
Cameron described an unmistakable contrast between his shooting procedure for Avatar 2, and the conventional technique used for underwater scenes. Quite a bit of Avatar 2’s recording happened inside a 900,000-gallon tank that could imitate sea currents, and the actors needed to figure out how to free plunge pausing their breathing for minutes all at once because air bubbles and scuba innovation would have meddled with the movement catch process. Afterward, visual effects artists needed to quicken the tiniest expressions on actors’ faces while they were underwater. This was certainly an enormous task, and Cameron said that many attempted to work him out of his arrangement:
“My colleagues inside the creation truly campaigned vigorously for us to do it ‘dry for wet,’ balancing individuals on wires. I said, ‘It won’t work. It won’t look genuine.’ I even let them run a test, where we caught dry for wet, and afterward we caught in water, a rough level of our in-water catch. What’s more it wasn’t close by anyone’s standards.”
Assuming that Cameron’s efforts with Avatar 2 result in something at all as groundbreaking as the first film, then, at that point, it stands to be an exceptionally successful sequel film, which doesn’t look good for Aquaman 2’s consolidation of customary movement catch methods for its underwater scenes. Dissimilar to Avatar 2, which shot its actors as they were really submerged underwater, the cast for Aquaman 2 was suspended in the air on wires to mirror water’s effects, and later altering will assist with making their current circumstance look more like the sea. However, as per Cameron, the end-product is way off the mark. Considering that the two movies are releasing on the same day in 2022, viewers will not have the option to abstain from looking at them, reasonable taking note of the sharp contrast in quality or immersiveness.
Releasing two movies that both happen underwater on the samde day will undoubtedly support comparisons. Tragically for the Aquaman 2 film climate, the imaginative movement catch innovation techniques Cameron has carried out for Avatar 2 will probably make the superhero’s sequel film look undeniably less realistic. Ideally, Aquaman and the Lost Kingdom’s story and characters will be convincing sufficient that nobody watching will mind enough to take note.